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Grateful Dead Live at Greek Theatre, U. Of California on 1984-07-13




Set 1

Bertha-> Greatest Story Ever Told, Dire Wolf, CC Rider, Loser, Cassidy, Dupree's Diamond Blues, Hell In A Bucket-> Might As Well

Set 2

Scarlet Begonias-> Touch Of Gray-> Fire On The Mountain-> Women Are Smarter-> Drums-> The Wheel-> I Need A Miracle-> Stella Blue-> Sugar Magnolia, E: Dark Star*

* Dark Star for the planetary alignment


Collection GratefulDead
Band/Artist Grateful Dead
Date July 13, 1984
Venue Greek Theatre, U. Of California
Location Berkeley, CA

Source Matrix using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Transferred by Hunter Seamons


Reviews

Reviewer: music4u77 - - December 8, 2014
Subject: MATRIX is the bomb!!!
SBD can sound boring (no audience participation) and AUD...though sometimes very good depending on gearand venue can be too mid heavy. Matrix is the best of both worlds IMHO and how I feel I am back there living it all again.

Very nice Dark Star (last verse "ouch" -but that's ok), though some "dis" it.
To me, this DS seemed like a leaping off point for the rest of '84 and into '85 where many of their jams had a spacey DS quality...unlike most previous '80s shows. Maybe it was a "can of worms" that needed opening??? Well ...I for one am glad they did and love the Greek having been there only once in person. Dig this one everyone!
Reviewer: jjg4762 - - July 9, 2014
Subject: Before show
This is photo of the set up before the famous night at the Greeks.
http://images.gdao.org/view/image/ark%3A%2F38305%2Fg48051rz%2Fis%2F1
So lucky to have been here.
Reviewer: dead72 - - July 13, 2013
Subject: Notable Dark Star
I hadn't thought about this show for awhile, thanks to Hunter for posting this on his Facebook page today. My daughter and I have been listening to this today, and it really is one of the best of 1984. The small hall shows, including Hult and Marin County are very good, as is Cedar Rapids on July 4, but this has one of the best live versions of Hell In A Bucket, and the second set is as good as any in the first half of this decade. The Scarlet>Grey>Fire is unusual, of course, and not only did they play Dark Star, they played it very well. I think this version outclasses the previous 4 played between 12-31-78 through 12-31-81. This isn't an elite show, but it is very, very good.
Reviewer: ogrjmj - - January 20, 2013
Subject: one of my fav shows
this was one of my fav all time shows,lots of x and fri the 13th full moon with a shooting star over the stage during dark star! can't ask for more than that ;) great quality board, i only have the dark star in sbd so ill have to download this at some point
Reviewer: barreramusic - - July 13, 2012
Subject: A few points
Great show--of course.

1. On this night, a very cool Touch of Grey gets in the middle of a Scarlet/Fire sandwich...@ the legendary Greek nonetheless.

2. Last Dark Star until 1989--in case no one mentioned this fact.

3. Peace
Reviewer: E.R.C. Iceman! - - May 15, 2012
Subject: Another Hunter Seamons Gem!
This is a SUPER Matrix! Good show too! All of the instruments and vocals are well defined! Something special about the Greeks.........
Reviewer: galapogos griff - - May 9, 2012
Subject: I was there
Great night. Drove down from Seattle with my buddy Louis. Both if us just 18 and had ticks for all three shows and a place to crach is Sausalito.

The energy at these shows were never duplicated any place I went and saw them.
Reviewer: Valleyhead - - January 18, 2012
Subject: Got Sucked In!!
Out of all the shows I've heard on archive this Greek Theater run seems to suck me back in like a vortex. One can only imagine what it must have sounded liked to be there and here over the big P.A. system. I was only 6 at the time and my parents weren't heads so i got f'd in that aspect of life. Just from hearing the boards it sounded like the Dead ripped the columns off the joint. Listen to this run if you haven't heard it before and join me in this VORTEX!!!!
Reviewer: A Crist - - September 10, 2011
Subject: this is great!
It's like listening to a completely different show with the matrix, the SBD is awkwardly balanced (and it seems like this for a lot of '84)and the aud source really helps this show get to its full potential.
Reviewer: micah6vs8 - - May 18, 2010
Subject: Rare '84 gems
'84 is not my cup of tea, but what I do like is mostly found in this run @ the Greek. On this night the SB, Fire and SB are sweet. Kudos for the curve balls of the TOG placement, execution a bit rough, and the DS encore. It's a nice DS, not sure if that's the word association one wants. Not a usual listener of Matrix shows, but This is the source to listen to. SBD is too hollow, the only Aud is very bright and trebly. This is just right.
Reviewer: DarkStar1972 - - January 26, 2010
Subject: WOW
Thanks for the Matrix
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled: Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.